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Director
Michael
Loporto
Michael is a founding member of New York City's acclaimed Barefoot
Theatre Company, which has just finished a successful collaboration
with renowned playwright Israel Horowitz. Barefoot has been called
by OOBR "A spark of genius Off-Off Broadway." Recent directing credits
include the 35th anniversary production of The Indian Wants The
Bronx by Israel Horovitz at The Gloucester Stage Company, which
The Boston Globe said "breathed with the fury of life…a chilling
evening," Birds In Church and Dirty Talk by Joe Pintauro at The
Pantheon Theatre, Sam Shepard's Tongues at BRIC Studio, Complete
Control by Stephen Gracia at the DUMBO Theater eXchange, Jonathan
Marc Sherman's Women and Wallace at The 78th Street Theatre Lab,
and, at The Looking Glass Theater, Does A Tiger Wear A Necktie?
By Don Peterson about which Backstage said "Michael LoPorto's production…is
powerful, engrossing, and commanding." Other directing credits include
subUrbia by Eric Bogosian, Love Letters by AR Gurney, Getting Hitched
by Stephen Beal, Marisol by Jose Rivera, Behind The Fence by Richard
T. Stremme, and When We Sleep… a work that he co-wrote. Michael
is also an actor and musician. He received a BFA in acting from
Brooklyn College and has toured most of the East Coast as a drummer
in several bands performing at such notable venues as CBGB, The
Continental, L'Amours, The Midway Café, Acme Underground, The Pipeline,
The Elbow Room, The Tune Inn, and Coney Island High. Favorite roles
include Treat in Orphans by Lyle Kessler, Valere in Moliere's The
Miser, Jack in Sweet Citrus by Jen Boutell, and Nathan Leopold in
Never The Sinner by John Logan.
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Choreographer
Geoffrey
Doig-Marx
NAMED ONE OF "NINE DANCEMAKERS
MAKING HISTORY"....2001
Cover Story Dance Spirit Magazine Geoffrey
Doig-Marx is the Artistic Director and Founder of "The Mantis
Project" Dance Company, and Creator/Artistic Director
of "The Elan Awards" an annual showcase that in 2005 along
with then Co-Producer DanceSpirit Magazine honored SUSAN
STROMAN (A choreographer who has changed the face of dance)
and showcased the work of fourteen additional choreographers.
Mr. Doig-Marx received a Certificate
of Excellence in Cultural Achievement from C. Virginia Fields Manhattan
Borough President office of The Mayor of New York City
for his work with The Elan Awards. Past honoree's include Graciella
Daniele,Jerry Mitchell Ann Reinking, Rob Marshall and Lar
Lubovitch. Mr. Marx is also the founder of The Elan
Awards Master Class Series, The Elan Awards School Program
and The Mantis Project Summer Dance Workshop.
His piece entitled "Need"
based on Punk Rocker Sid Vicious girlfriend Nancy Spungen, premiered
at Suny Purchase in May 2006 and currently he is assisting Director/Choreographer
Denis Jones for Broadway Bares 2006.
He is a member of "Actor's Equity"
and an Associate Member of "The
Society of Stage Directors and Choreographers".
Mr. Doig-Marx is currently on staff
at Marymount
Manhattan College, ARB's
Princeton Ballet School,The
Pulse, NY, The
Lawrenceville School and The Professional
Center for the Arts .
Previously on Staff at Broadway Dance Center, Broadway Dance Center
Childrens Program, STEPS, Ballet Arts, Puerto Rican Traveling Theater,
and *PDT (*Princeton Dance and Theatre-New School of Susan Jaffe).
Mr. Doig-Marx is listed in "What's
Hot New York" and has choreographed for various theaters, throughout
the United States, Canada and Europe.
As a performer Mr. Doig-Marx appeared
in the Equity National Tours and Regional Theater Productions of
West Side Story, Pippin, A Chorus Line, Dames at Sea, Cabaret, La
Cage aux Folles, Fiddler on the Roof, Jesus Christ Superstar and
many others.
Previously, Geoffrey received
"The Harkness Choreographers Grant" from Suny Purchase and a
Choreographers grant from New Dance Group in New
York City.
Mr. Doig-Marx wrote a tell all book
about his days as a Disney dancer entitled
"Not Only Magic Floats".-publishing date to be announced
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Musical
Director
Dale Zurbrick
DALE
ZURBRICK -begins his twenty fifth year in professional and educational
theatre. After his first few years of teaching, he left the classroom
and premiered as "Curly" in a stock production of OKLAHOMA! Currently,
he resembles Daddy Warbucks and it's been a long trek of hilarity
for lucky audiences and inspiration for the many students he has
seen achieve success in show business after he returned to the classroom.
He has directed and/or musical directed over forty productions,
many of them award-winning. For close to thirty years he was a member
of the prestigious Choir of The Riverside Church in the City of
New York, while teaching, directing and appearing in summer stock,
primarily at Music Theatre North. Among his representative roles
are "David" in COMPANY, "Horace Vandergelder" in HELLO DOLLY, "Sancho"
in MAN OF LAMANCHA, "Florenz Ziegfeld" in FUNNY GIRL, "Uncle Max"
in THE SOUND OF MUSIC, and "Zoltan Karpathy" in MY FAIR LADY. But
his huge claim to fame is found in the children's favorite PETER
PAN. Soon after landing in New York in the early 70s, he was cast
as the title character in the rock musical version of this beloved
story which was adapted and produced by The Kings Players at The
Brooklyn Academy of Music and The Mercer Arts Center. Recently,
he appeared as CAPTAIN HOOK in the famous musical treatment by Jule
Styne, Comden & Green, and Moose Charlap. Who knows what role he
will assay next? He brings to Park Playhouse his expertise as a
dramaturg, and historian, and his attention to detail and fastidious
devotion to the authors' intentions will be in evidence here in
Albany. Soon after leaving, he will start a brief tour of LOVE LETTERS
with his acting partner Marie Puma (GODFATHER I and II) throughout
the Mid-Atlantic States. Currently, he is President of the Alumni
Board of SUNY Potsdam and recently produced a Gala Benefit in New
York City which featured four illustrious graduates of that college,
opera stars Renee Fleming, Margaret Lattimore, Tamara Mesic, and
PHANTOM OF THE OPERA's longest-running Christine, Lisa Vroman. |
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Stage
Manager
Scott Harrigan
Scott Harrigan is
currently a junior stage management major at Boston University's
College of Fine Arts in the Conservatory of Theatre Arts. Scott
began his career in regional theater as a Stage Management intern
with the New York State Theater Institute where he earned the company's
"Exellence in Stage Management" award. Other regional credits include
two consecutive seasons with Park Playhouse in Upstate New York.
Boston credits include numerous productions with the Huntington
Theatre Company, as well as Boston Playwright's Theatre where he
has served as the Production Stage Manager for two of their annual
entries into the Atlantic College Theater Festival.
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Technical
Director
Jessie
Sullivan
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Park Playhouse 2004 |
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